<--retour / back | PETE TURNER | |
PETE TURNER Biographie. |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
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Pete Turner b. 1934 A graduate of the Rochester Institute of Technology, Pete Turner served with the second signal combat photography team at the army pictorial center in Long Island City, New York. During this time, he was able to explore his interests in color photography by experimenting with the then new type C color process at the military’s photography lab. By 1958 his work began to appear in major publications, his first being a feature in Look magazine. Over the next 50 years, Turner developed his unique style of vivid color—often using color filters to produce unnatural effects, a radical decision for the era---making him one of the most sought after commercial photographers of his time as well as influential in the direction of color photography in the fine art world. Before the era of digital imaging software and capabilities, Turner experimented with graphic, surreal, and somewhat shocking synthetic compositions—Doorway and Sphere, 1966, and the Shape of Things to Come, 1969, were created by layering elements and are two of Turner’s signature images. During the 1960’s, his work was widely published and circulated and was included in the seminal exhibition Photography in the Fine Arts held at the Metropolitan Museum of Art in 1961, 1963 and 1967. |
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Copyright: Pete Turner |
Copyright: Pete Turner |
Copyright: Pete Turner |
Portrait de Pete Turner par Douglas Kirkland , Août 2009 |